Whats On in September 2009
« August 2009
A Skillz
Fri 04 Sep 2009 @ 09:00 PM
We at HKPP HQ are over the moon to be able to bring you none other than Fingerlickins Funky Beatmeister... the one... the only... Mr A.Skillz himself,...
Jelly Jazz with Gerald Jazzman
Sat 12 Sep 2009 @ 09:00 PM
Jelly Jazz @ The Sandsifter presents
A FUNK 'N' SOUL 'N' BOOGALOO SPECIAL!
with special guest, from Jazzman Records in...
A FUNK 'N' SOUL 'N' BOOGALOO SPECIAL!
with special guest, from Jazzman Records in...
The Nextmen & MC WREC
Sat 19 Sep 2009 @ 08:00 PM
Blacc Jazz and Dephect Clothing are proud to present
The Nextmen & MC WREC
Unless you have fallen lifeless somewhere...
The Nextmen & MC WREC
Unless you have fallen lifeless somewhere...
The Nextmen & MC WREC
Sat 19 Sep 2009 @ 08:00 PM

Blacc Jazz and Dephect Clothing are proud to present
The Nextmen & MC WREC
Unless you have fallen lifeless somewhere thru the cracks you’ve more than likely witnessed Cambridge come Londoners The Nextmen, also known as Brad Baloo and Dom Search, at one of their many sweaty styled-out club sets, festival-stopping performances or heard their incendiary mixtapes on the neighbourhood ghetto blaster.
This eclectic production duo have carved another shiny gem from London’s lovely low-end underbelly with a mix of electronic music styles in the form of their fourth studio LP ‘Join The Dots’ due to hit the streets in August. In typical Nextmen fashion the game has been sonically upped to dizzying heights as ‘Join The Dots’ progressed like a paint by numbers prayer of affection through all the genres and styles that are loved by the pair and their fans alike. The album was born from their explosive and eclectic DJ sets, which have been the focus of global critical acclaim over the last 12 years.
Making this connection between music they love be it dancehall, drum’n’bass, instrumental and actual hip hop, soul, funk, dubstep, indie, leftfield, ambient, pop and straight-up hands in the air party jacking pleasers, is something Baloo and Search always strive to achieve, weaving their way on 4 turntables with mastery and abandon, laced with their own sought after mash-up edits, bootlegs and specials. This studio record is certainly a reflection and reaction to what they have accomplish as DJs and a natural follow up to their last critically acclaimed album ‘This Was Supposed To Be The Future’.
The Nextmen in long-form and for those unversed, here’s a quick champion-style summary:
Dom (real name: Dominic Betmead) and Brad (real name: Brad Ellis) joined forces when Brad blagged a remix for London Posse and realised he didn’t have any kit with which to do it. In stepped Dom with his Roland S10 and not much else. “The track was called Style,” chips in Dom, “But it put us on the map. Everybody loved it. Radio 1 got hold of it.”“It was 75 bpm and really pedestrian,” deadpans Brad. “Fucking terrible.” Terrible or not, London Posse’s Style had something about it, not least the MCing skills of the posse’s Rodney P, with whom The Nextmen have subsequently enjoyed a long working relationship. In 2000, The Nextmen released their debut album Amongst The Madness on the revered 75 Ark imprint. Originally intended to be a Mo’ Wax-style instrumentals album, their label began sending the beats out to rappers in the States and before they knew it, The Nextmen were hip hop producers, working with Public Enemy, Blackalicious, The Pharcyde and Morcheeba. Get Over It, 2003’s sophomore album for Scenario, confirmed their position as one of the UK’s brightest beatmakers. The changes in Nextmen direction over the years – if they could even be described as such – grew out of their DJ sets, as they found the space to integrate the outer reaches of their record collections. It was an organic change, but one that was driven by their outlook: “As a clubber, I want to go out and hear varied styles of music,” says Dom “I don’t want to hear one kind of music all night.” This shift in approach found an echo in the studio too, firstly with reggae compilation Blunted In The Backroom, which they completed for the label Antidote. This was a headlong plunge into the depths of the Trojan catalogue, but re-wired by the Nextmen for the now. It was so successful, Antidote commissioned their third studio album, This Was Supposed to be The Future which featured collaborations with Sway, Fat Freddy’s Drop vocalist Dallas, Zarif, Alice Russell, Dynamite MC, Chicago’s own Kidz In The Hall, Jamaican legends Niney The Observer and Demolition Man, and LSK from Faithless.
With support from Aldo Vanucci and Baron Samedi it'll turn ya inside out (in a nice up kinda way!)
Tickest available from
www.stubmatic.com/blaccjazz
The Nextmen & MC WREC
Unless you have fallen lifeless somewhere thru the cracks you’ve more than likely witnessed Cambridge come Londoners The Nextmen, also known as Brad Baloo and Dom Search, at one of their many sweaty styled-out club sets, festival-stopping performances or heard their incendiary mixtapes on the neighbourhood ghetto blaster.
This eclectic production duo have carved another shiny gem from London’s lovely low-end underbelly with a mix of electronic music styles in the form of their fourth studio LP ‘Join The Dots’ due to hit the streets in August. In typical Nextmen fashion the game has been sonically upped to dizzying heights as ‘Join The Dots’ progressed like a paint by numbers prayer of affection through all the genres and styles that are loved by the pair and their fans alike. The album was born from their explosive and eclectic DJ sets, which have been the focus of global critical acclaim over the last 12 years.
Making this connection between music they love be it dancehall, drum’n’bass, instrumental and actual hip hop, soul, funk, dubstep, indie, leftfield, ambient, pop and straight-up hands in the air party jacking pleasers, is something Baloo and Search always strive to achieve, weaving their way on 4 turntables with mastery and abandon, laced with their own sought after mash-up edits, bootlegs and specials. This studio record is certainly a reflection and reaction to what they have accomplish as DJs and a natural follow up to their last critically acclaimed album ‘This Was Supposed To Be The Future’.
The Nextmen in long-form and for those unversed, here’s a quick champion-style summary:
Dom (real name: Dominic Betmead) and Brad (real name: Brad Ellis) joined forces when Brad blagged a remix for London Posse and realised he didn’t have any kit with which to do it. In stepped Dom with his Roland S10 and not much else. “The track was called Style,” chips in Dom, “But it put us on the map. Everybody loved it. Radio 1 got hold of it.”“It was 75 bpm and really pedestrian,” deadpans Brad. “Fucking terrible.” Terrible or not, London Posse’s Style had something about it, not least the MCing skills of the posse’s Rodney P, with whom The Nextmen have subsequently enjoyed a long working relationship. In 2000, The Nextmen released their debut album Amongst The Madness on the revered 75 Ark imprint. Originally intended to be a Mo’ Wax-style instrumentals album, their label began sending the beats out to rappers in the States and before they knew it, The Nextmen were hip hop producers, working with Public Enemy, Blackalicious, The Pharcyde and Morcheeba. Get Over It, 2003’s sophomore album for Scenario, confirmed their position as one of the UK’s brightest beatmakers. The changes in Nextmen direction over the years – if they could even be described as such – grew out of their DJ sets, as they found the space to integrate the outer reaches of their record collections. It was an organic change, but one that was driven by their outlook: “As a clubber, I want to go out and hear varied styles of music,” says Dom “I don’t want to hear one kind of music all night.” This shift in approach found an echo in the studio too, firstly with reggae compilation Blunted In The Backroom, which they completed for the label Antidote. This was a headlong plunge into the depths of the Trojan catalogue, but re-wired by the Nextmen for the now. It was so successful, Antidote commissioned their third studio album, This Was Supposed to be The Future which featured collaborations with Sway, Fat Freddy’s Drop vocalist Dallas, Zarif, Alice Russell, Dynamite MC, Chicago’s own Kidz In The Hall, Jamaican legends Niney The Observer and Demolition Man, and LSK from Faithless.
With support from Aldo Vanucci and Baron Samedi it'll turn ya inside out (in a nice up kinda way!)
Tickest available from
www.stubmatic.com/blaccjazz
PLEASE USE THE "ADD SPECIAL INSTRUCTIONS TO MERCHANT" IN PAYPAL AND STATE YOUR PREFERRED POINT OF DEPARTURE FROM THE FOLLOWING:
St Ives Penzance Falmouth Truro Newquay
9-4am
£10
9-4am
£10

